I didn’t want there to be anything complicated about the table settings for our wedding. I envisioned rustic elegance with pure simplicity and a touch of the unexpected.
Remember the mood board I created for the wedding here?
I love the look of burlap but wanted a bit more color on the table. I found a gorgeous dark turquoise embroidery floss and enlisted my mom to help stitch peacock blue seams down either side of each runner. Note: This was an incredibly time-consuming process because we hand stitched them, but the result was fabulous!
We then used the leftover burlap to fashion napkin rings for my off-white linens (we bought these because it ended up being cheaper than renting them). To tie in the peacock blue, we wrapped each of the burlap rings several times (I’m talking like 10-15), then just adhered it with a dot of hot glue.
I wanted my centerpieces to be a mix of texture, colors and heights and include something vintage. I painted these seven-inch wooden boxes the same peacock blue I used on my map project and handed them over to my very talented friend and florist Sally Preston-Gonzalez of Exquisite Blooms to work her magic.
I found the blue glasses at TJMaxx and Marshalls one shopping trip, then enlisted family and friends around the country to hunt down as many as possible. I wanted to use them on the tables as votives. To add a few more candle holders to the table, I purchased a variety of glass containers at thrift stores, then purchased cylindrical vases in 3.5″x6″ and 4.5″x4.5″ sizes and spray painted the insides of each a metallic bronze. I peppered the table tops with small twine balls to introduce a natural element. Alarm clocks (purchased on ebay) set to various numbers told guests which table belonged to them. Time to eat.
Posted by Wendy
Scott and I don’t take ourselves too seriously; therefore, we didn’t want anything about our wedding to be too serious, as evidenced by the menu I referenced here.
We both lived in several places before settling in San Diego—and meeting each other–so we both have family and friends spread all over the world. I thought it might be fun to show where our guests traveled from to be with us. One of the best men (we had two) flew in from Turkey and another groomsman came in from Australia.
I decided people would find their place (table number) on a giant map in lieu of traditional place cards. Annie, from Annie’s Blue Ribbon General Store, gifted me this world map cork board (thanks, Annie!) after I commented how perfect it would be for our wedding after I featured it in a Parade article last year.
Remember the wood palett wall in our bedroom I recently blogged about? I painted the leftover boards Behr’s Bermudan Blue and stapled them to a simple standup easel frame.
I cut small triangular flags from peacock blue card stock, wrote on them with this amazing gel pen and pinned them to the board. I needed to increase the surface areas of California, Arizona and Louisiana since a lot of our guests traveled from there, so I bought a roll of cork, traced clipart printouts and cut out the states. I planned out my map and adhered the cork geography with hot glue.
Posted by Wendy
Scott and I got married almost 10 months ago, and I am finally getting around to blogging about the décor I created with lots of help from my mom.
Scott and I wanted our wedding to feel very much like us, so we exchanged vows by the beach in San Diego, California, served street tacos (my favorite) and mac and cheese (his favorite) and kept everything fuss free.
For the décor, we kept it pretty simple with lots of homemade touches. You wouldn’t expect anything mass produced from me, would you?
I chose a peacock blue-and-copper palette and created an inspiration board to help me lay out my favorite ideas. Here’s what I came up with.
I didn’t want anything to feel theme-y so I started with the invitation design to set the tone for the wedding. This is, after all, how I was going to express to my guests that they were invited to an elegant but laid-back wedding at the beach.
I have a resource I’ve used numerous times for paper. I searched the inventory and found this incredible embossed white faux-bois card stock and this teal one too. Paper and More cut everything to my size specifications. (I had them cut the blue so that it would be 1/8-inch larger than the white on all sides.) This was an incredible time saver. I have yet to invest in a commercial-grade paper cutter. My Crafting Rotary Paper Trimmer would have made it through three sheets at a time at best.
I designed this very simple invitation and a response card in Word. You read that right. Word.
North Shore Printery found me a great metallic copper Pantone and printed everything for me. This DIYer wasn’t about to attempt printing on textured card stock.
My mom and aunt helped create perfect circle response cards using the Martha Stewart Crafts Large Circle Cutter. We just made the teal blue cardstock a slightly larger circle size than the white. We used EZ Runner permanent tape to adhere the teal blue cardstock to the back of the white cards. Glue can get bubbly. This kept everything super flat. I bought a rectangle hand punch, 30 feet of bronze grosgrain ribbon from Save-on-crafts.com (currently unavailable), a 100 yards of turquoise-and-white baker’s twine and a heart punch.
The assembly line began. Scott, my brother and my mom helped assemble the invites.
Posted by Wendy
Here’s how they turned out.
(Invite photos by Kim Mowbray)
While up in LA for a Design Bloggers’ Conference, I had dinner at Blue Cow Kitchen and was completely drawn to the rustic, modern décor—exposed light bulbs, paper mache taxidermy and a wood pallet wall, the piece de resistance.
Scott and I talked about recreating it on one of the walls in our bedroom. After doing extensive research on using pallets in interiors, I decided pallets weren’t the best option. Dismanteling them was going to be extremely time consuming, and I worried about what the pallets might have been used to transport, like chemicals.
While hunting down Plan B, I discovered this EverTrue Edge V-Groove unfinished pine paneling. It’s not available in store at Lowe’s, but you can order it online and pick it up in the store. I took measurements and ordered nine packages of six (design for less than $100!).
I wanted to mimic the different wood tones that I saw in Blue Cow Kitchen. We bought three quarts of stain—Jacobean, Classic Gray and Natural.
Posted by Wendy
Scott cut the planks at different lengths to give the wall more variations—from six-inch pieces to 48-inch lengths. He just did it at random, but it’s wise to keep several long (we left one package of stained planks uncut), so you can cut what you need as you go.
We concocted five different colors with our three cans of stain. We used each of them in a pure state and layered the Gray with the Jacobean and the Natural. Don’t wait until the stain dries to layer. Using a sponge brush, we swiped on one color, let it sit a few minutes and used a rag to take off the excess before brushing on the second color with a different brush and a new rag.
After letting the boards dry completely for 24 hours, Scott and I began hanging.
Starting at the bottom left corner of the wall, we used a nail gun to fasten the first board to the wall. We worked left to right and bottom to top, completing each row with pieces of our uncut boards.
When we got to the window, we used a small Japanese flush cut saw to cut the boards flush with the widow frame and stained the edge to match the board.